Create a cute Burger sign & then turned into a pattern cross stitching

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Jump into Adobe Illustrator and create a cute cheeseburger character from scratch. Then you’ll be creating a grid and converting your image into a pixelled character perfect for resizing or cross-stitching application. You can check out the second part of this tutorial, the cross stitching process, over on Crafttuts+.

Start with a tan filled circle using the Ellipse Tool (L). Draw a Rectangle (M) and place it over the circle in a fashion similar to image #2 below. Select both shapes, hit Minus Front in Pathfinder and Ungroup the shapes.

Now you can edit the hamburger bun shapes by pulling the anchor handles and moving the halves to your desired location.

To fill up your burger, use the Rounded Rectangle Tool for the meat and tomato slice. Place them behind the buns. Draw the lettuce with the Pencil Tool (N) and create bits of cheese slices with the Pen Tool (P).

Add little details like sesame seeds with the Pen Tool (P) and copy and paste around the bun. Group all shapes together (CTRL + G).

To personify our little friend, we’ll need to add some cute little hands. Draw them with the Pencil Tool (N), Copy and Paste the gloved hand, and rotate the image over a vertical axis.

To draw arms, create wiggly shapes using the Pen Tool (P).

Draw a crescent shape with the Pen Tool (P) for an eye. You’ll have to add the whites of the eyes and highlights as well. To make the smile, stroke a curved line to your desired width. Add a little red tongue if you so desire.

Group (CTRL + G) your burger friend together and then Copy and Paste it.

Set your copy hamburger as dark brown.

Unite the copy hamburger in the Pathfinder panel.

Align the copy with the original burger friend.

Place the copy behind your little burger and set the copy shape’s Stroke Weight to whatever thickness you desire.

Select the buns, little hands, lettuce, tomato, and cheese shapes and add a 1pt stroke in dark brown.

Add cutesy phrase. This one being "I’m on a roll".

The font used for this was "Cooper Standard". Choose Warp Option Arc and adjust to 48% or so.

Select your text, RIGHT-CLICK and Create Outlines. In Pathfinder, hit Make Compound Shape and then Expand.

Your vector piece is complete. Group it together (CTRL + G), lock the layer, and Create a New Layer over top. Go to View up top, and hit Rulers. For the pixelling process of this piece, the overall size is 7 inches by 7 inches. The grid will be one line every 1/8 of an inch. Zoom in and drag a line from the ruler on the left.

Continue dragging lines from the rulers for each interval. I’ve chosen to make a 56 by 56 square because the cross-stitch tutorial on Crafttuts+ will comprise of 14 stitches per inch, so the final size will be four inches square.

Once you complete the vertical lines of the grid, drag lines from the top ruler for the horizontal lines.

To make the entire process easier, you can select multiple lines at a time (I suggest four) and place them at each inch.
Once your grid is done, lock the layer it’s on, and create a new one above it for your pixelling adventure.

Using the Rectangle Tool (M), create a box that fills one grid space. You’ll be following the vector image you created. speaking of which, lower the opacity on that layer so this part is easier on your eyes.

Add a 0.5pt white stroke to the dark brown box for easy visibility later. If your intention isn’t to convert this little guy into a fantastic piece of needlepoint, the outlines of your boxes may not be necessary.

Continue following the outline of your image. For some areas, it’ll save you a ton of time by Copy and Pasting multiple boxes.

Some details and curves will be ignored by this process.

Overall, you’re making something very blocky. Do your best to stick to the grid.

The following will document quick shots of filling in all of the burger’s details.

For the lighter colored boxes, the stroke is set as dark brown instead of white.

Notice the sesame seeds. What were once little tear drops have become funky little Tetris shapes.

Check out the boxes against the grid in this picture. Selecting all of the boxes in one line and aligning them so it’s a straight line helps fit your boxes to the grid. This is an optional step if you’ve outlined your boxes and want it to look a bit more organized.

Finally, your little burger friend has taken on a completed pixelled form. Take it further and add more of the details fro the vector piece including some of the outlines, the little tongue, or the “I’m on a Roll” text. Push it to the limit by following the Crafttuts+ side of this tutorial and render it as a cross-stitched piece.

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An iron cross self-mailers template that you create with Adobe Illustrator

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Looking for something more exciting than a standard tri-fold or postcard? One attention-grabbing solution is the iron cross fold. This specialty, or exotic, fold gets its name from the cross shape/plus sign shape it forms when flat and unfolded. It is fairly easy to set up and will add significant flair to your piece. It can be either square or rectangular after folding. The flaps can vary in size and include curves or angled cuts, if desired.

Last time around, we looked at creating this exotic fold in Adobe InDesign. This time, let’s look at the process to create it in Adobe Illustrator.

Due to the iron cross being an irregular shape, float the template on the page rather than create a document the trim size of the piece. Go to New > Document and set up a document that is 1 inch larger than the trim size of the entire piece.

Since the outer edges of the template are 26.875 inches wide x 17.875 inches tall, the document pages need to be 27.875 inches wide x 18.875 inches tall. Leave the bleeds at zero, as you won’t need them.

Start by creating the vertical section of the template. Select the Rectangle Tool (M), hold down the ALT key and click anywhere on the artboard. A dialogue box will come up. Enter 9 inches in the width box and 17.875 inches in the height box. Click OK and you now have the vertical section of the template. Give it a Stroke Weight of0.5 pt.

Create the horizontal section of the template the same way you created the vertical section. This time enter 26.875 inches in the width box and 6 inches in the height box. Click OK and you now have the horizontal section of the template. Give it a Stroke Weight of 0.5 pt.

Center the rectangles both horizontally and vertically. Select both rectangles and go to Windows > Align to open the Align panel if it isn’t already. Click on Vertical Align Center as well as Horizontal Align Center. The rectangles will perfectly center on each other.

To center the vertical and horizontal sections on the artboard, go to View > Fit Artboard in Window. Then, select both rectangles, Cut, and Paste. They will magically land exactly in the center of the page.

To ensure that the piece lies flat when folded, allowances need to be made on the left and right flaps. To prepare for this, select both rectangles. In the Pathfinder panel, select Divide. This will break the overlapping section into individual segments.

Select the inner rectangle with the Direct Selection Tool (A). This box will be used to indicate the fold lines and needs to be a dotted line. In the Stroke panel, tick the Dashed Line box and enter 4 pt in the dash box and 5 pt in the gap box. Go to Object > Lock > Selection to Lock the box in place in preparation for the next steps.

Using the Direct Selection Tool (A), select the top edges of the right and left flaps while holding down the SHIFT key.

The lines you just selected need to be offset 0.0625 inches (1/16) to allow for a flat fold. Go to Object > Transform > Move. Enter 0.0625 inches after Vertical. The Distance and Angle boxes will automatically adjust. Hit OK and you will see that the left and right flaps are now 1/16 shorter.

The bottom edges of the left and right flaps needs to be adjusted as well. Again, using the Direct Selection Tool (A), select the bottom edge of the right and left flaps while holding down the SHIFT key. Go to Object > Transform > Move. Enter -0.0625 after Vertical. Hit OK and you now have two flaps that will fold perfectly.

You will notice that a solid line remains behind the dotted line. To remove it, select the edges of the rectangles that fall under the dotted line. Be sure to hold down the SHIFT key while you are selecting them. Then, hit Delete.

Now, select everything on the page and go to Object > Ungroup. This will allow you to put the die line and fold lines on separate layers.

To differentiate the die line from the graphics, outline it with a spot color. Magenta is typically recognized by printers as a die line.

Select the solid outline (the die line). Go to the Swatches panel and click on the fly-out menu in the upper right corner. Select New Swatch. In the dialogue box that comes up, set Color Type to Spot Color, enter Die Line in the Swatch Name field, and make the color 100 magenta. Click OK and you now have a new spot color in your Swatches panel.

Select the die line and assign it your new spot color.

Separate the die line from the artwork by creating a new layer for it. Click on the Create New Layer icon on the bottom right of the Layers panel. Double click on the text "Layer 2" and a new dialogue box will come up.

In the dialogue box, type Die Line into the Name field and untick the Print box.

On a standard rectangular piece, fold marks are indicated outside the print area. Since the iron cross is an irregular shape, the folds have to be marked another way.

Create New Layer and label it "Fold Line". Then, create a new spot color the same process as above, preferably something that doesn’t blend with your artwork. Be sure to untick Print when you label the layer.

To ensure that ink goes to the edge of the piece, add a bleed to the outer edges of the mailer. Since placement of the bleed guidelines isn’t critical, it’s okay to trust your eyes and set them up using the rulers.

Drag guidelines from the horizontal and vertical rulers and place them 1/8 of an inch from every edge of the die line.

You are now ready to create a fabulous mailer!

Tip: Since the iron cross design involves a die cut, scoring, and possibly hand folding, it will also add expense. Be sure to check with both your printer and your client before you get started. Another thing you should know is that this layout is a paper hog and creates a considerable amount of waste. Do not despair my tree hugger friends! The extra paper can be used for accompanying pieces such as inserts or cards. As is true for most extraordinary things, they require added thought, funds and planning… but the end result is worth it.

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